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Hi! I'm Lewis. I'm a reviewer for (mostly) theatre based in Edinburgh, and sometimes London.

If you'd like to request a review, or have any questions, please email lewis@lews.reviews.

The official Facebook page for the site can be found at www.facebook.com/lewsreviews. This is the best way to stay up to date with the latest articles.

Please follow my Twitter (@lews_reviews), and Instagram (@lewis.forman).

Terms and conditions of reviews:


By requesting a review, you are allowing Lew's Reviews to do the following:


  • Use your show name.
  • Use your company name.
  • Use any publicly available or email attached images relating to your show.
  • Use legal names of any people involved.
  • Speak freely, be it positively or negatively about the show.


By requesting a review, you are agreeing to share the review, and link both the website and Facebook page, should the review get 4 stars or higher.

If you feel that the performance I reviewed was not truly representative of your show for whatever reason, please get in touch with your reasoning and I will be more than likely happy to take it down.


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"20 Minutes of Action" Review - Edinburgh University Theatre Company

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Photo credit: Andrew Perry

“20 Minutes of Action” is nothing short of a depressing masterpiece. Very closely based on true events which need to remain nameless for legal reasons, the result of this inspiration combined with Pollyanna Esse’s expert script writing and direction makes for 50 minutes that go as quickly as 5, of some of the most intense subject matter I’ve ever seen on a stage.
“20 Minutes” got off to a shaky start with a video that was mostly obstructed by cast members standing in the way of the screen, but my fears were quickly put to bed as soon as the live acting started.

The tone of the play is quickly set, aided by the effective use of music, set almost exclusively to solo piano, a very appropriate instrument for the tone that was aimed for.

Aimee Vincent as the victim, and Benji Sumrie as the perpetrator were unbelievably convincing. The hatred between them was stunning and the genuine ignorance of the perpetrator created a perfect contrast to the fragility of Vincent’…
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An Evening with Bosom Buddies - Edinburgh Fringe 2019 Review (Bosom Buddies)

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Photo credit: Bosom Buddies
Okay - I'm mostly a theatre reviewer. But this was great.

Britain's Got Talent finalists "Bosom Buddies" are two Drag Queens with the most incredible voices. Female sounding, convincing voices.

They did an hour's set of a combination of comedy and music, themed around "Divas".

Going through the divas they chose, who were Karen Carpenter, Bonnie Tyler, Celine Dion, Barbara Streisand, Adele, ABBA, Eva Cassidy and Judy Garland, along with Freddie Mercury, they personified and dressed as every single one of these flawlessly. It was funny - it's always funny when a man dresses up as a woman for comedy purposes and does comedy, but I didn't really have time to laugh as my jaw was on the floor because of their drop-dead-incredible voices.

The particular highlights for me were Bonnie Tyler and ABBA. You could go, close your eyes, listen to the music, and genuinely not know that they are men. I'm still in shock.

I don'…
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Are You Alice: A New Wonderland Tale - Edinburgh Fringe 2019 Review (Permafrost Theatre Collective)

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Photo credit: Jody Christopherson
'Are You Alice: A New Wonderland Tale’ is an astounding show. It looks at how Alice questions her sense of womanhood, identity, and self-acceptance when she enters Wonderland. It ‘repurposes’ passages to suggest new situations where these themes come into play.

The cast brilliantly evoke Wonderland’s confusing atmosphere. There are several Alice’s on stage at once. Each are simultaneously different and similar. They ask each other ‘Are you Alice?’ The cast play a variety of different characters throughout. This invokes an uncertainty of whether it is the responsibility of the worrying creatures of Wonderland or on Alice to provide a sense of certainty about anything.

They produce a dynamic soundscape throughout, using their voices, bodies and props. Soon, they meld together to form the Jabberwocky, a terrifying and enigmatic being. They create its clicking, hissing and whispering sounds. They provide rhythms for the scenes, stamping and swirling and …
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