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Hi! I'm Lewis. I'm a reviewer for (mostly) theatre based in Edinburgh, and sometimes London.

If you'd like to request a review, or have any questions, please email lewis@lews.reviews.

The official Facebook page for the site can be found at www.facebook.com/lewsreviews. This is the best way to stay up to date with the latest articles.

Please follow my Twitter (@lews_reviews), and Instagram (@lewis.forman).

Terms and conditions of reviews:


By requesting a review, you are allowing Lew's Reviews to do the following:


  • Use your show name.
  • Use your company name.
  • Use any publicly available or email attached images relating to your show.
  • Use legal names of any people involved.
  • Speak freely, be it positively or negatively about the show.


By requesting a review, you are agreeing to share the review, and link both the website and Facebook page, should the review get 4 stars or higher.

If you feel that the performance I reviewed was not truly representative of your show for whatever reason, please get in touch with your reasoning and I will be more than likely happy to take it down.


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"Mosquitoes" Review - Edinburgh University Theatre Company

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Photography: Dominika Ucar, Design: Michael Zwiauer
Walking into "Mosquitoes," I did not have high hopes. I had been exposed to only one other Kirkwood play before, and I quite frankly hated the writing, and expected to do so here as well. I must have caught her on a bad day before, because this play is so incredibly good.
The play has a runtime of nearly 3 hours including the interval, but this flashes by in a heartbeat. Lead by Tilly Botsford and Megan Burns, with Charlie Woolley, Rory McKeon and a stunning supporting cast of seven, every moment in Mosquitoes feels authentic and delicate. 
Both Burns and Botsford are expertly cast, and the chemistry between them is electric (they play sisters). Every loving moment, every argument invoked tears from the audience, and whilst both actors, individually have some stunning moments and extreme amounts of talent, the play is at its best when these two characters are interacting. 
Charlie Woolley is simply incredible as Luke, and d…
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"Into The Woods" Review - Edinburgh University Savoy Opera Group

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Design: James Crang

"Into The Woods" is a show that a lot of people love. As per usual, I've barely heard of it so I had no idea what to expect from this production. It can be summed up very easily; first rate, in simply every way.

Into The Woods is helmed by the direction of Sean Vannet, and lead by an extremely strong cast. A big risk of student theatre, is that very often ambitious shows don't have a large enough pool of actors to find someone absolutely perfect for the role, but all actors here were absolutely perfect for their roles. Additionally, it didn't fall into any of the usual pitfalls of student musical theatre, in particular, the acting, singing and dancing levels all seemed to be on one level, a very high one, when quite often the acting or dance can fall behind the vocals.

Whilst every actor has a brilliant moment to shine, some particular standout performances include Julia Weingaertner as the Baker's Wife, and Gordon Stackhouse as Jack. Both o…
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"Showchoir: The Time of our Lives" Review - Edinburgh University Footlights

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Photo credit: Andrew Perry
"Showchoir" is a staple of the annual Footlights catalogue, and is always highly anticipated. The potential for such a concept, a showcase of music linked by a theme or themes, is completely limitless and this year's theme, "The Time of our Lives", creative directed by James Hart and Kirsten Innes, most certainly delivers.

The show opens rather weirdly, with a very short part of ABBA's "I Have A Dream". At this point I was slightly worried about the direction of the show, as I have come to expect big, dramatic, full cast opening numbers from such things, but this was quickly delivered on, with "Kidz" and "Revolting Children" serving as our big opening number. "Kidz" was particularly enjoyable, whereas "Revolting Children" was hindered massively by some practically inaudible voices, mostly down to microphones.

The tech in the show was a mixed bag - the lighting was beautiful, and pa…
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