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Hi! I'm Lewis. I'm a reviewer for (mostly) theatre based in Edinburgh, and sometimes London.

If you'd like to request a review, or have any questions, please email lewis@lews.reviews.

The official Facebook page for the site can be found at www.facebook.com/lewsreviews. This is the best way to stay up to date with the latest articles.

Please follow my Twitter (@lews_reviews), and Instagram (@lewis.forman).

Terms and conditions of reviews:


By requesting a review, you are allowing Lew's Reviews to do the following:


  • Use your show name.
  • Use your company name.
  • Use any publicly available or email attached images relating to your show.
  • Use legal names of any people involved.
  • Speak freely, be it positively or negatively about the show.


By requesting a review, you are agreeing to share the review, and link both the website and Facebook page, should the review get 4 stars or higher.

If you feel that the performance I reviewed was not truly representative of your show for whatever reason, please get in touch with your reasoning and I will be more than likely happy to take it down.


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Photo credit: NeonBox Theatre Company/theSpace Swooping in at the last minute, "Dark Play or Stories for Boys" suddenly became the best show I've seen and reviewed at the Fringe. We follow a story of 2 people, one a boy, falling in love with a girl, online. The second, a boy, pretending to be that girl, online. The plot gets a touch more complex than that, but I'll leave it to you to go and find out the intricacies of the show. One particularly interesting creative choice is the decision to have the made up girl, Rachel, played by an actor. The integration of her acting like a real person, and also as if her words were being typed as she spoke them was just wonderful. It's so seamless. The visual design was equally stunning. The use of bright LEDs to symbolise the transfer of technology and messages, including being integrated into the costume of the fictional girl. It was very impactful. The complexities of the plot emerge when Nick, the 'catfish',
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"Click To Connect" Review - Edinburgh University Savoy Opera Group

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  Design: Isabel Duffy "Click To Connect" is a brand new musical, composed by Maddy Baron and written by Rachel Chung, Alice Jackson, Olivia Johnston, Fionnuala Marshall and Hannah McGregor. It has been produced by the Edinburgh University Savoy Opera Group, in collaboration with EUTV. It follows eight characters trying to find socially distant love, all with varying degrees of success.  To say that I was entertained would be an understatement. I was gripped the entire way through the show, just not always for the best reasons. I'd like to note that I missed the first 5 to 8 minutes of the show - a pause button appeared, and I clicked it, assuming I could carry on when I want to, but this was not the case. It skipped to catch up with the live broadcast. With that in mind, this review is written about all but the first 5 minutes of the show. Let's start with the positives: this show was built from the ground up in a very short space of time. An original concept, combin
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